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Globalization may have its downside, but it could do something for modern dance that a lot of people would appreciate; namely, restore musicality. Early this month, Pandit Birju Maharaj, the reigning guru of kathak--a dance form that grew up in the Hindu temples and the Mughal courts of northern India--gave a concert at the Peter Norton Symphony Space that may have been the most remarkable display of musical chops to hit the New York dance stage this year. Maharaj is sixty-eight, and he has slowed down. In this show, he was spelled by two disciples, Saswati Sen and Mahua Shankar. Nevertheless, he was soon demonstrating the advanced-math rhythms that kathak is famous for. ...