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In a land of chunky, garish, anxiousto-please books, Don DeLillo's thirteenth novel, "Cosmopolis"(Scribner; $25), is physically cool, as sleek and silver-touched and palely pure as a white stretch limo, which is in fact the action's main venue. On the front of the book jacket we see the limo from the front, and on the back from the back, and in between stretch a tad more than two hundred tall, generous-margined pages of metafiction. Eric Packer, a twenty-eight-year-old billionaire manager of other people's money, rises after a sleepless night in April of the year 2000, in his forty-eight-room, one-hundred-and-four-million-dollar triplex (with shark tank, borzoi pen, lap ...