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"I DIDN'T SEE any reason why the Englishman shouldn't be the dupe," Sir Michael Redgrave whispered as he puffed on his pipe. It was April 1973 and we were in his elegant suite at the Hotel Windsor in Melbourne. A few weeks earlier, I'd written to the famous actor asking for an interview to be used in my film courses on his work at Mitchell College of Advanced Education. Redgrave was not giving many interviews at this time but he'd agreed to see me as soon as the rehearsals for Voyage Round My Father were completed. The man who greeted me was a frailer version of the figure I'd been watching for weeks in preparation for this interview, slightly stooped from having been ...