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<a href="http://www.accessmylibrary.com/coms2/summary_0286-22665481_ITM" title="Facts and information about Gold boxes at Hillwood. (Hillwood Museum & Gardens).">Gold boxes at Hillwood. (Hillwood Museum & Gardens).</a>
Gold boxes at Hillwood. (Hillwood Museum & Gardens).
The Magazine Antiques
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March 01, 2003 |
Arend, Liana Paredes |
COPYRIGHT 2003 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright
The collection of gold boxes and objects of vertu (1) at Hillwood testifies to the sustained interest of Marjorie Merriweather Post (seep. 82, Pl. I) in precious objects with historical associations. She began buying French examples in the 1920s, and they form the core of her collection. She continued to acquire gold boxes, notably those made by the firm of Peter Carl Faberge and even modern works by Cartier. Edith Wharton (1862-1932) defined the accumulation of bibelots as "the voluptuousness of acquiring things one might do without," (2) and in this she identifies the ultimate allure these small creations may have had for collectors, including Marjorie Post.
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Source: HighBeam Research, Gold boxes at Hillwood. (Hillwood Museum & Gardens).