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Antiques.(brief history of museums)

The Magazine Antiques

| March 01, 2003 | Garrett, Wendell | COPYRIGHT 2003 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

I do not believe in the end of man.... I believe man will not merely endure, he will prevail. He is immortal, not because he, alone among creatures, has an inexhaustible voice but because he has a soul, a spirit, capable of compassion and sacrifice and endurance.

William Faulkner, "Speech on Acceptance of the Nobel Prize," 1950

In Faulkner's fictional world it is memory that pulls pieces of the past into the present and resurrects the dead. A museum is in its own way a model of memory, for by preserving the past it ensures the future. Like any work of art within it, the museum is an act of faith in the power of the human imagination. Hillwood Museum and Gardens in northwest Washington, D.C., the subject of this issue, provides tangible evidence of the range of mankind's creativity in the fine and decorative arts.

In antiquity a museum was an academy or a library and even in the eighteenth century a museum could be a temple for the veneration of the muses. Most properly it was a building in which scholars lived, dined, and studied together. Museums dedicated to the arts and open to the public are relatively recent.

When the Ashmolean Museum was opened to Oxford students in 1683 the diarist John Evelyn called it the "first public institution for the reception of rarities in art or nature established ...

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