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EXTENDED PERFORMANCE.

The New Yorker

| July 31, 2006 | Updik, John | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The Kenyan novelist, playwright, journalist, and academic Ngugi wa Thiong'o has written provocatively, in his book of essays "Penpoints, Gunpoints, and Dreams" (1998), about "performance"--not merely theatrical action, as in the performance of a play, but "any action that assumes an audience during the actualization." He cited in illustration the exercise of political power, which involves "variations on the performance theme." A 1999 interview with Charles Cantalupo, a Penn State professor, elicited this elaboration:

"So much in society depends on 'performance.' It provides new insights into certain behaviors. It is central to so many things. For example, you ...

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