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SECRETS.

The New Yorker

| July 10, 2006 | Acocella, Joan | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Diana Vishneva, a principal dancer at the Kirov Ballet and at American Ballet Theatre, once told Francis Mason, of Ballet Review, that in any ballet she always tried to find "a particular thing that allows me to know what I am doing with the role, not just to do it beautifully." She needed, she said, to find her own "secret." Sometimes when you hear such words, you tremble. Many theatrical absurdities--chaste Carmens, happy Hamlets--have been perpetrated by people on similar quests. But, in a performance of "Giselle" with Angel Corella at A.B.T. in mid-June, Vishneva, who is now thirty, did find her own secret to that ballet, and the result was a show that left people ...

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