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"Hail, hail, rock 'n' roll / Deliver me from the days of old," Chuck Berry sang in the late fifties. From the outset, the rollicking beat of rock music was seen as transformative. The sound cast an irresistible spell over the imaginations of the young, for whom it was a call to action, to rebellion, and to ecstasy, not necessarily in that order. In a time of cultural turmoil and high anxiety, corrupting the world with pleasure was rock and roll's messianic mission. But even the philosophes of fun couldn't have predicted just how wild a ride the music would engineer on the world's stage. Tom Stoppard, in his latest intellectual pinata, "Rock 'n' Roll" (transferring from ...