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The Bible is so varied and so richly suggestive as a narrative source that moviemakers can go low ("The Ten Commandments," "The Passion of the Christ") or high ("The Gospel According to St. Matthew") and get away with either strategy. Hollywood has turned other ancient sources, including the Greek myths, into science fiction, and strongmen like Hercules and Samson into immobile behemoths with raven-haired beauties sprawled at their feet. But how do you do Homer--not just well, but at all? Consider these lines from the Iliad, in Richmond Lattimore's awkwardly powerful translation: "He cried out then, a great city, broken, the spear in him, / and fell, thunderously, and the ...