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IGNORE THE CONDUCTOR.(composer Timothy Andres)(Interview)

The New Yorker

| May 17, 2004 | Ross, Alex | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

When Timothy Andres was seven, his father, a computer specialist, brought home a teach-yourself-piano computer program. Andres was done with it in three weeks. He is now a freshman at Yale, and his musical progress is still accelerating. For one thing, he is a formidable pianist who has the measure of Charles Ives's towering "Concord Sonata." He is also a composer, with a piano sonata, a piano concerto, and a symphony to his credit. Most notably, his music is beginning to show an individual voice, which is the hardest thing for a composer to achieve.

What happens when you tell your emo-listening, hip-hop-dancing, ironically "American Idol"-analyzing classmates ...

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