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CHOPPING BLOCK.(Kill Bill Vol. 2)(Movie Review)

The New Yorker

| April 19, 2004 | Denby, David | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Quentin Tarantino's "Kill Bill Vol. 2" is a shapeless mess, but at least it's not as monotonous as "Kill Bill Vol. 1." It has some landscape and some odd characters, whereas the earlier movie consisted mostly of sliced-cranium combat scenes and lacquered-glitz interiors and mock emotions like "anger" and "grief" that linked the fight episodes the way a thin string might hold a set of glittering flea-market jewels. "Kill Bill Vol. 1" was sequenced, but it wasn't really plotted; it had faces, bodies, and limbs (often severed), but it didn't have characters; it had spasmodic action but nothing approaching dramatic life. The heroine, Beatrix Kiddo (Uma Thurman), known as ...

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