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At the final beat of Lynn Nottage's subtle and compelling "Intimate Apparel" (a Roundabout Theatre Company production at the Laura Pels), the stage picture freezes on the heroine, a thirty-five-year-old seamstress named Esther Mills (Viola Davis), hunched over her sewing machine. Projected above the proscenium are the words "Unidentified Negro Seamstress Ca. 1905." This photographic trope is an answer, half a century later, to Zora Neale Hurston's provocative contention that "the average, struggling, non-morbid Negro is the best-kept secret in America." Hurston, who denounced "the Anglo-Saxon's lack of curiosity about the internal lives and emotions of the Negroes," ...