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MYSTERIES OF LOVE.("Salome" )(Opera Review)

The New Yorker

| April 05, 2004 | Ross, Alex | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The first time the Metropolitan Opera staged Richard Strauss's "Salome," ninety-seven years ago, J. P. Morgan's daughter blanched at the sight of a soprano making out with a severed head, and the production was shut down after one night. The ballerina who had performed the Dance of the Seven Veils on the Met stage decided to take her act to a vaudeville house, where she had a considerably warmer reception. America was soon in the grip of a Salome craze. In January, 1909, Strauss's opera reappeared in triumph at Oscar Hammerstein's Manhattan Opera House, with the bewitching Mary Garden in the title role. Not long afterward, a singing waiter at Jimmy Kelly's, in Union ...

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