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DURING A PHONE interview with David Williamson nearly twenty years ago, he told me about the time he was scripting Gallipoli (1981) for Peter Weir. After submitting a final draft, Williamson did one last restructure and sent it to the director. For days there was no response; then Williamson cornered Weir and demanded to know his opinion of the new material.
"It works like clockwork," was the reply.
"Then why don't you use it?"
"Because I'm making a Peter Weir film, not a David Williamson one."
I was unable to confirm the story with Weir himself, but it does have the ring of truth about it. Weir was clearly influenced by the Auteur ...