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A serious filmmaker would normally feel gratified if his cinematic work inspired impassioned debate, intense emotional response, detailed analysis, even raging controversy. Well in advance of his picture's release, Mel Gibson has already produced that sort of reaction with The Passion of the Christ, his brutal, graphic, and lyrical account of the last 12 hours in the life of Christ. But Gibson insists he neither expected nor wanted the bitter arguments over the allegedly anti-Semitic content of the film.
The vitriolic denunciations of his artistic integrity, and even his personal religiosity, have proven especially painful to Gibson--who directs The Passion (his ...