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Shadow magic.(matting and compositing)

Computer Graphics World

| November 01, 2003 | LoPiccolo, Phil | COPYRIGHT 2003 PennWell Publishing Corp. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Techniques abound for matting objects from film or video sequences and compositing them into other scenes. Some entail matting images filmed against a blue- or greenscreen, or use manual rotoscoping to prepare the images for compositing into other settings, while newer methods transfer mattes directly from one natural background to another.

But despite advances in working with objects in a scene, relatively little progress has been made in matting and compositing the shadows cast by those objects. In fact, complex shadows typically must be created by hand or extracted from bluescreen plates and manually placed in the desired location.

Recently, researchers at the University of Washington, Microsoft Research, and Industrial Light & Magic nave unveiled a new physically based technique for extracting shadows from natural scenes and inserting them into others. The new method, which can capture simple shadows from foreground objects in one setting and alter their shape according to the backgrounds they fall onto in another, accurately conveys important visual cues about the imagery. As a result, it lends greater realism to the final scene.

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