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SCOUNDREL TIME.(Romance)(The Last Days of Judas Iscariot)(Theater Review)

The New Yorker

| March 14, 2005 | Lahr, John | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

History, H. G. Wells once said, is "a race between education and catastrophe." Sometimes--now, for instance--catastrophe appears to be winning, and the contest is almost too unbearable to watch. In such deracinated moments, only a world turned upside down--the world of farce, in other words--works both as an apt metaphor for the caprice of nations and as a release from it. The giddy sophistry of David Mamet's "Romance" (well directed by Neil Pepe, at the Atlantic Theatre Company) is a case in point.

At the beginning of the play, set in a New York City courtroom, a distracted judge (the hilarious Larry Bryggman) tries to focus on the stonewalling tactics of a ...

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