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BACK IN THE BUNKER.

The New Yorker

| February 14, 2005 | Denby, David | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The CondÃ© Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

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In the past, in such films as Wim Wenders' "The American Friend" and "Wings of Desire," the Swiss-German actor Bruno Ganz seemed a rather gentle and melancholy fellow. Soft as swans' feathers, Ganz caressed the viewer with a doleful gaze and a rounded baritone voice that turned even commonplace German phrases into soothing near-poetry. Ganz appeared to carry the weight of European cultivation on his back, not as a glory but as a burden of sensitivity, even anguish--one felt his attentiveness to the slightest breeze of anxiety or willfulness in the air around him. Given these impressions, the obvious initial response to ...

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