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On the surface, Donald Margulies's new play, "Brooklyn Boy" (at the Biltmore, under the direction of Daniel Sullivan), is a rueful account of what passes on these shores for literary success; beneath that familiar terrain, however, it is an attempt to map a much murkier emotional landscape: the jealousy that such success inevitably inspires. This being a Broadway show, Margulies's portrait of envy's spoiling rage is served up with large dollops of humor and a pinch of reparation--Envy Lite. Nonetheless, his inquiry is not without fascination.
Here, Eric (Adam Arkin), a young literary lion--the eponymous Brooklyn boy of his best-seller's title--detours from his ...