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The luxury glass of Bakewell, Page and Bakewell.

The Magazine Antiques

| February 01, 2005 | Palmer, Arlene | COPYRIGHT 2005 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In 1808, when several New York City merchants installed their bankrupt colleague Benjamin Bakewell (1767-1844) as managing partner of a foundering glasshouse in Pittsburgh, they could not have foreseen the future success of the enterprise. Through nine partnerships, all involving members of the Bakewell family, the glassworks remained in operation for seventy-four years, only closing down in 1882.

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Known as the "father of the flint glass industry" in the United States, (1) Bakewell succeeded in making high quality, lead-formula, or "flint," glass that could compete with the products of England and France. Because he employed skilled craftsmen from those countries and used European examples as models, he was able to produce decorated glass in the latest international styles. As a result, the Pittsburgh Flint Glass Manufactory, as the Bakewell endeavor was called, became famous for its expensive luxury wares.

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As early as 1809 Bakewell offered chandeliers, and possibly some table glass, that were cut for him by an independent glass cutter, Peter William Eichbaum (1749-1827), a Saxon-born glass cutter who, from 1794 to 1797, had managed the glasshouse near Philadelphia established by John Nicholson (d. 1800). Eichbaum moved to Pittsburgh in 1797 to supervise a glass factory for James O'Hara (1754-1819) and Isaac Craig (c. 1742-1826). (2) He soon resigned and set up his own glass-cutting shop, in addition to running a tavern. When a traveler examined the many "articles of taste & luxury" in Bakewell's storeroom in 1809, he noted that "the glass is well cut as by a singular transition of fortune the Glass cutter who carries on that business here was formerly the artist of Louis the 16th." (3) Eichbaum's claim of royal patronage was also reported in another 1809 account describing a "six light chandelier with prisms of his cutting, which does credit to the workman, and reflects honor on our country, for we have reason to believe it is the first ever cut in the United States." (4)

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