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TROUBLED WATERS.

The New Yorker

| December 20, 2004 | Lahr, John | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

"What one begs the American people to do, for all of us, is simply to accept our history," James Baldwin wrote in "The American Dream and the American Negro." But that imaginative challenge, as August Wilson demonstrates in "Gem of the Ocean" (well directed by Kenny Leon, at the Walter Kerr), is as hard for blacks to achieve as for whites. "Gem," which is set in the Hill District of Pittsburgh, in 1904, is the latest, and the introductory, installment to Wilson's magnificent ten-play cycle, in which each play dramatizes a decade of the roiling African-American experience of the twentieth century. At one point, Solly Two Kings (Anthony Chisholm), an old runaway slave and ...

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