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Willem de Kooning, the subject of "De Kooning: An American Master," a wise and delectable biography (Knopf; $35) by Mark Stevens and Annalyn Swan, was the best pure painter of the twentieth century; the twenty-first will decide how much that matters. Over a seven-decade career of many phases marked, as with Picasso, by successive female lovers, de Kooning conjoined the intellectual clarities of drawing, the visual music of color, and the befuddling sensuousness of oil paint like no one else since Rubens. Other modern artists made more satisfying, resolved works. De Kooning's iconic "Woman I" (1950-52), which he reworked convulsively, and which still looks to be evolving, ...