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The radicalism of Alvin Epstein's portrayal of the title character in "King Lear" (an Actors' Shakespeare Project production at the La MaMa E.T.C. Annex) has as much to do with Epstein's body as with his mind. Traditionally, directors have filled this big role with a big man, or, at any rate, with the kind of actor who can send the "howl, howl, howl, howl" of Lear's paternal grief and madness pounding like a bass drum through the gaps in our self-possession. Epstein, however, who played Lucky in the New York premiere of Samuel Beckett's "Waiting for Godot," and Clov in the first American staging of Beckett's "Endgame," approaches the role in a way that is neither ...