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KINGS AND MONSTERS.(King Lear)(The House in Town)(Theater review)

The New Yorker

| July 03, 2006 | Als, Hilton | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The radicalism of Alvin Epstein's portrayal of the title character in "King Lear" (an Actors' Shakespeare Project production at the La MaMa E.T.C. Annex) has as much to do with Epstein's body as with his mind. Traditionally, directors have filled this big role with a big man, or, at any rate, with the kind of actor who can send the "howl, howl, howl, howl" of Lear's paternal grief and madness pounding like a bass drum through the gaps in our self-possession. Epstein, however, who played Lucky in the New York premiere of Samuel Beckett's "Waiting for Godot," and Clov in the first American staging of Beckett's "Endgame," approaches the role in a way that is neither ...

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King Lear.(Theater Review)
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