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C'est moi!(Omar Calabrese Artists' Self-Portraits)(Book review)

New Criterion

| June 01, 2006 | Meyers, Jeffrey | COPYRIGHT 2006 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Omar Calabrese Artists' Self-Portraits, translated by Marguerite Shore. Abbeville, 391 pages, $135

reviewed by Jeffrey Meyers

The self-portrait, an autobiography in paint, began in fifteenth-century Florence when artists first asserted their identity by placing their own image, as observer or participant, into religious and historical narratives. As the artist gained social status, his image increased in importance. Botticelli's handsome, even arrogant, appearance on the extreme right in The Adoration of the Magi (1475) anticipated by several centuries the imposing self-portraits of two formally dressed arch-rivals, the Byronically dashing Delacroix ...

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