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Omar Calabrese Artists' Self-Portraits, translated by Marguerite Shore. Abbeville, 391 pages, $135
reviewed by Jeffrey Meyers
The self-portrait, an autobiography in paint, began in fifteenth-century Florence when artists first asserted their identity by placing their own image, as observer or participant, into religious and historical narratives. As the artist gained social status, his image increased in importance. Botticelli's handsome, even arrogant, appearance on the extreme right in The Adoration of the Magi (1475) anticipated by several centuries the imposing self-portraits of two formally dressed arch-rivals, the Byronically dashing Delacroix ...