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Wedgwood, Boulton, and Henry Hoare II: patronage of the antique taste at Stourhead.

The Magazine Antiques

| June 01, 2006 | Ferguson, Patricia F. | COPYRIGHT 2006 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Henry Hoare II, or "Henry the Magnificent" as he was known to his family, was an exemplary patron of the arts and an astute customer of Britain's most innovative entrepreneurs of his day (Fig. 3). (1) A scion of the founder of Britain's oldest private bank and the creator of the enchanting pleasure garden inspired by Roman antiquity at Stourhead, in Wiltshire, Hoare's unlimited wealth and cultured taste placed him at the forefront of fashion in England, particularly for the antique taste that developed after the discoveries of the ancient Roman cities of Herculaneum (1738) and Pompeii (1748). Within a six-month period in 1770 he purchased the first volumes of P. F. H. d'Hancarville's, Antiquites Etrusques, Grecques et Romaines (see Fig. 6) and ordered candle vases in the antique style from the Birmingham hardware manufacturer Matthew Boulton and ceramic vases from Josiah Wedgwood I of Staffordshire. This article surveys his pattern of collecting, enlightening in some measure our appreciation of the patronage of the decorative arts.

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The antique taste relied on the art of ancient Greece and Rome for inspiration, and just as patrons of art in the Roman Empire and Hellenistic kingdoms had agreed on certain models of excellence to be worthy of study, so, too, did eighteenth-century patrons quickly recognize certain contemporary craftsmen who convincingly interpreted this taste--Wedgwood and Boulton among them. Educated and traveled patrons such as Hoare were critical to the financial support of this renewed interest in classical forms and imagery, particularly that found on ancient vases.

With the impressive exception of Italian pictures and sculpture by Michael Rysbrack (c. 1694-1770), few of Hoare's acquisitions remain at Stourhead. (2) As a partner in Hoare's Bank on Fleet Street, which profited from the fashionable embellishments of like-minded aristocratic landowners, Hoare could afford the finest furnishings, but a fire in 1902 destroyed the interiors at Stourhead and many of the original contents. His library, rich in the classics, general history, and belles lettres, was dispersed along with a larger and more valuable one formed by his grandson, the scholar and antiquary Sir Richard Colt Hoare (1758-1838), second baronet, in a devastating series of heirloom sales in 1883.

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