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In the three years since the publication of Dan Brown's "The Da Vinci Code," a best-selling suspense novel with pretensions to serious scholarship, the work has inspired a vast literature of refutation, including dozens of books and numberless essays disputing the story's core contentions. The Internet, intrinsically hospitable to such a purpose, has grown a busy marketplace of "Da Vinci" debunkers, anticipating the big-budget film version of Brown's tale, now arriving in theatres. Prospective moviegoers who have spent time at a Web site called The Da Vinci Dialogue, the most polished of these efforts, have been informed that the story is deeply anti-Christian, a pseudo ...