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Carmen-Fantasie.(Sound recording review)

Sensible Sound

| July 01, 2006 | Puccio, John | COPYRIGHT 2006 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Carmen-Fantasie. Anne-Sophie Mutter, violin; James Levine, Vienna Philharmonic Orchestra. DG 00289 477 5721.

Companies of all kinds love new technologies as they allows them to introduce new products. Record companies are no different; for the last few years a few of them have been jumping all over SACD in an effort to repackage some of their older material. Super Audio Compact Discs have the potential for reproducing a multiple of channels, not just two like regular CDs and, because of their greater storage capacity, reproduce things in what is theoretically better sound. You see, the discs have several layers, enabling them, for instance, to include multitrack SACD recordings and two-channel SACD recordings on a high-density layer and conventional two-channel CD recordings on a separate layer. Such is the case with the present DG recording of Anne-Sophie Mutter and the Vienna Philharmonic playing, among other things, Sarasate's Carmen-Fantasie.

The recording itself was made in 1992 and released by DG in 1993 in regular two-track stereo. Now, the company has gone back into the vaults for the original multi tracks and transferred them to a hybrid surround-sound SACD, along with SACD stereo and CD stereo versions as well. But first, the music. Ms. Mutter was a child prodigy who proved herself one of the world's foremost violinists. While she usually tackles things heavier than the material on this disc, it's a pleasure to hear her let her hair down, so to speak. The Carmen-Fantasie is delightful, as are the other popular favorites that accompany it: Sarasate's ...

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