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Albeniz: Suite Espanola.(Sound recording review)

Sensible Sound

| July 01, 2006 | Puccio, John | COPYRIGHT 2006 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Albeniz: Suite Espanola. Rafael Fruhbeck de Burgos, New Philharmonia Orchestra. First Impression Music FIM XR24 068.

I have not hidden my admiration over the years for JVC's XRCD remasterings of classic RCA and Decca material. Their meticulous care and attention to detail cost a mint and probably didn't represent the best value for the dollar, but for the audiophile looking to find the best possible sonic quality, the XRCDs couldn't be beat. Thus, I was saddened to learn that JVC had decided to close its American distribution in the early part of 2006. However, First Impression Music has come to the rescue, utilizing the XRCD process.

To quote Winston Ma, head of First Impression Music: "FIM produces its own XRCD albums, manufactured by JVC, Japan. FIM distributes its own software catalog, including its own XRCD albums to more than 30 countries in the world and will continue to do so for years to come. There are three major companies producing XRCDs, namely JVC, TBM, and FIM. With the closure of JVC Disc America, JVC will only distribute its own products in Japan and SE Asia. The other two labels continue doing their distribution as before."

Among FIM's very first XRCD releases is the XRCD/24 disc of Albeniz's Suite Espanola. Recorded by Decca in 1967, it is one of the first things I considered an audiophile recording back in the old days when I was just getting started in the stereo field. Up until that time, I had loved and collected classical music, but I had not yet acquired a playback system worthy of exploiting the full potential of an audiophile disc. The Suite Espanola changed all that (along with my first good system of separate audio components).

Albeniz wrote the pieces we now call the Suite between 1906 and 1908 as parts of two piano cycles. Conductor Rafael Fruhbeck de Burgos chose seven of the eight pieces of one cycle to do up in the orchestral transcriptions we have here, choosing to leave out a selection, "Cuba," that did not derive from his own country and substituting another Albeniz piano piece. The resultant orchestral set is light, frothy, folk-inflected, and totally delightful, suggesting the atmosphere of various places in Spain: Castilla, Asturias, Aragon, Cadiz, Sevilla, Granada, Cataluna, and Cordoba. More important to the audiophile, perhaps, the music contains an abundance of sonic effects to dazzle the ear, and it remains one of Decca's very best, most realistic recordings.

Anyway, I first owned the disc on black vinyl, then on regular CD, then on Decca's Classic CD label, and now on FIM's XRCD/24. What is XRCD/24? Let me quote from the disc booklet: "What makes the XRCD-24 bit Super Analog so impressive: XRCD is a standard 'Red Book' CD and can be enjoyed on any CD player. For the first time ever a 24-bit digital signal is used as an essential part of the CD manufacturing process. A high-precision DVD K2 laser and K2 Rubidium Clock are ...

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