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THIRTEEN WAYS.(Black Swan Green)(Book review)

The New Yorker

| April 17, 2006 | Zalewski, Daniel | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

For some writers, the end of a chapter is little more than a pause for breath. For the audacious British novelist David Mitchell, the chapter is the organizing principle of his imagination. His first three works--"Ghostwritten" (1999), "Number9Dream" (2001), and "Cloud Atlas" (2004)--are divided, with almost fetishistic care, into sections that resemble the movements of a musical composition. The sections are presented as independent narratives, divergent in theme and tone, which are carefully tethered to a larger design.

The Mitchell method reached a height of virtuosity in the entertainingly kinetic "Cloud Atlas," in which six archly distinct narratives--each ...

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