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<a href="http://www.accessmylibrary.com/coms2/summary_0286-15442830_ITM" title="Facts and information about Dreams cobbled to history.(Luis Bunuel)(Critical essay)">Dreams cobbled to history.(Luis Bunuel)(Critical essay)</a>
Dreams cobbled to history.(Luis Bunuel)(Critical essay)
Quadrant
|
January 01, 2006 |
O'Grady, Desmond |
COPYRIGHT 2006 Quadrant Magazine Company, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright
A RICH CHUCKLE, from either heaven or the other place, seems the apt accompaniment to the news in late 2004 of confusion about the whereabouts of Luis Bunuel's ashes. It is the chuckle I heard when he gave a press conference in Venice in 1967 after winning the main award for Belle du Jour. He was a welcome contrast to his posturing friend Salvador Dali. Bunuel seemed perfectly normal compared to the self-proclaimed genius but his films were more subversive than Dali's paintings because, instead of dissolving the barrier between the everyday and the surreal, they showed they were juxtaposed. After the surrealist movement was consigned to art history and museums, Bunuel ...
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Source: HighBeam Research, Dreams cobbled to history.(Luis Bunuel)(Critical essay)