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COPYRIGHT 2003 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc.
One day late last summer, as the tally of bombings, shootings, and acts of sabotage against the American occupation in Iraq took on the unmistakable profile of a war of guerrilla insurgency, the office of Special Operations and Low-Intensity Conflict, at the Pentagon, designed and distributed e-mail flyers with a cautionary headline: "how to win a battle against terrorism and lose the war of ideas." The e-mail invited those involved in the "wot"--the war on terrorism--to a private screening of the Italian Marxist director Gillo Pontecorvo's 1966 masterpiece, "The Battle of Algiers." The movie, which will be rereleased in theatres next month, is surely the most harrowing, and realistic, political epic ever filmed. It depicts the conflict between Algerian nationalist insurgents and French colonial forces in the late nineteen-fifties, or, as the flyer put it: "Children shoot soldiers at point-blank range. Women plant bombs in cafes. Soon the entire Arab population builds to a mad fervor. Sound familiar?"
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