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Byline: Megan O'grady
In fiction, being a muse carries with it a certain luster. Consider Daisy, the ebullient flapper who inspires Gatsby's self-invention in F. Scott Fitzgerald's The Great Gatsby, or the eponymous nymphet of Vladimir Nabokov's Lolita, who gives rise to Humbert Humbert's feverish meditation on desire. Ulysses's bawdy, acid-tongued Molly Bloom was modeled on Nora Barnacle, James Joyce's real-life wife. The most sartorially innovative is surely the tomato-can-brassiere-wearing Baroness Elsa von Freytag-Loringhoven of Rene Steinke's Holy Skirts. Then there's Griet, the heroine of Tracy Chevalier's Girl with a Pearl Earring, who manages to win Vermeer's respect and the earrings. The reality, of course, is more grim. The subject of Odile ...