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to the max; Pat McGrath breathes new life into beauty's original blockbuster.(Brief article)

Vogue

| April 01, 2006 | Brown, Sarah | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: Sarah Brown

How much fun is this?" says the makeup artist Pat McGrath, sliding a fingertip across a square cake of black/silver/icy white-striped eye shadow. "You've got your whole three-way eye here. This is your color [she points to the silver], highlighter [the white], liner [the black]. Plus, they go on wet or dry-which is brilliant," she says, arching an eyebrow conspiratorially. Sitting in a hotel suite facing Manhattan's Bryant Park, McGrath is revealing what she's been up to for the last year: radically revamping Max Factor, the cosmetics line (founded by the illustrious movie makeup artist in 1909) that ruled Hollywood in the twenties and thirties but somehow got lost in ...

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