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Byline: Sarah Brown
How much fun is this?" says the makeup artist Pat McGrath, sliding a fingertip across a square cake of black/silver/icy white-striped eye shadow. "You've got your whole three-way eye here. This is your color [she points to the silver], highlighter [the white], liner [the black]. Plus, they go on wet or dry-which is brilliant," she says, arching an eyebrow conspiratorially. Sitting in a hotel suite facing Manhattan's Bryant Park, McGrath is revealing what she's been up to for the last year: radically revamping Max Factor, the cosmetics line (founded by the illustrious movie makeup artist in 1909) that ruled Hollywood in the twenties and thirties but somehow got lost in ...