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Elizabeth Bishop unfinished.

New Criterion

| April 01, 2006 | Logan, William | COPYRIGHT 2006 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Readers admire Robert Lowell, entertain a fondness for Marianne Moore, respect Wallace Stevens and T. S. Eliot, become fanatics, a few of them, over Ezra Pound, even compete to join the cult of Sylvia Plath, but they fall helplessly in love, over and over, with Elizabeth Bishop. In the markets of reputation, the past quarter-century has seen the rise of a poet considered by some of her peers as frivolous, whimsical, even trivial. Why has our age become so enamored of a poet who almost to the end of her life required a special taste?

Though she was praised by Lowell and Randall Jarrell, Bishop's early reviews were less lavish than those lavished on others ...

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Source: HighBeam Research, Elizabeth Bishop unfinished.

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