AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
Ad Reinhardt was on to something when he declared, "You have to choose between Duchamp and Mondrian." It was a good distinction. One might prefer Matisse to Mondrian, but why quibble. The point remains the same, and it was a point that most artists got, especially in twentieth-century New York, where the two traditions of art and anti-art, the homemade and the ready-made, raced like cars competing for alternate-side-of-the-street parking somewhere in the grid.
In 1961, the critic Roger Shattuck clarified the distinction further. Moving beyond the hardware-store ready-made of Duchamp's snow shovel (In Advance of the Broken Arm/[from] Marcel Duchamp 1915), Shattuck ...