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Exposed: how Sugimoto's mind-bending photography began with a sexual awakening at the movies.(SCENES AND SIGHTINGS FROM SMITHSONIAN MUSEUMS AND BEYOND)(Hiroshi Sugimoto)(Interview)

Smithsonian

| April 01, 2006 | Drapkin, Jennifer | COPYRIGHT 1984 Smithsonian Institution. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Hiroshi Sugimoto's enigmatic black-and-white photographs tease, whether they focus on the imperceptible line between ocean and sky on a misty day or a seemingly alive stuffed polar bear in a museum diorama. The largest retrospective of Sugimoto's influential 30-year career is at the Smithsonian's Hirshhorn Museum and Sculpture Garden until May 14, with a companion exhibition open through July 30 at the Arthur M. Sackler Gallery. The Japanese-born photographer, who is 58 and lives in New York City, spoke with SMITHSONIAN'S Jennifer Drapkin:

It has been said you condense the life of an object into a single image.

I accept most interpretations of my art. I …

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