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The Light in the Piazza.(Brief article)(Audiobook review)

Sensible Sound

| April 01, 2006 | COPYRIGHT 2006 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The Light in the Piazza. Music and lyrics by Adam Guettel (Nonesuch 798290)

2004's most sophisticated score was Caroline, or Change. 2005's winner is The Light in the Piazza which not only moves the art form forward, but is also a beautiful recording. Blessed with good voices and an orchestra with a bevy of strings, the songs--at once modern and timeless--both advance the story along and provide emotional resonance.

At the first strumming of the harp, you feel you are entering a musical fantasy--leave reality behind. The beautiful main theme of the (long) overture follows, segueing into "Statues and Stones" in which you expect Rodgers and Hammerstein full-blown melody and lyrics, but are teased with Sondheim rifts. When I heard the words On a Central Square, I was instantly reminded of On a Sunday from Sunday in the Park with George. None of this is a surprise given Guettel's pedigree: Richard Rodgers was his grandfather while Hammerstein was Sondheim's ...

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Source: HighBeam Research, The Light in the Piazza.(Brief article)(Audiobook review)

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