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The Confessio Amantis has never fit comfortably into the role of versified sermon on the Seven Deadly Sins to which received opinion, and one traditional line of criticism, have consigned it. If it is such, then Gower didn't manage it very well. The dialogue he created between Amans, "the lover," and his confessor Genius is full of awkwardnesses and inconsistencies that distract from, when they do not completely obscure, the coherency of the moral lessons. Genius himself is given an impossible task, serving both as priest of Venus and as Christian confessor. The many tales he tells are often morally inconclusive, or, like the long lectures with which they are ...