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GYPSY.

The New Yorker

| December 06, 2004 | Gopnik, Adam | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

A happy place to spend a winter afternoon in Paris is a bar called the Chope des Puces, just outside the Clignancourt flea market. Every Sunday, for longer than anyone can remember, two battered, time-worn guitarists have met there to play, on battered, time-worn guitars, popular jazz tunes in the manner of the Gypsy jazz guitarist Django Reinhardt and his Quintet of the Hot Club of France. The ringing chords, the jaunty minor-key-ballade melodies, the peculiar heavy, heartbreak vibrato, the broken-icicle chromatic runs up and down the fretboard, all played against the steady boom-chick, boom-chick of the cast-iron guitar chords: the cherished Django sound is there, and ...

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