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From 1939, Lewis Mumford on the original MOMA building
Paul Goldberger on Yoshio Taniguchi's elegant expansion of MOMA
Times Square has been sanitized and skyscraperized; the subway cars are brightly lit inside and graffiti-free inside and out. New York is going pristine. It is not easy, while gingerly stepping over loose floorboards and extension cords as thick as boa constrictors, to picture the new Museum of Modern Art in every tidy and clean-swept detail, but enough was on view last month to persuade this visitor that the final effect will be immaculate, rectilinear, capacious, and chaste. Whether or not more could be asked of a museum, of a modern ...