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Byline: Sean Smith
Millions of people surely believe that Mel Gibson's "The Passion of the Christ" and Michael Moore's "Fahrenheit 9/11" deserve best-picture Oscar nominations. Unfortunately, most of them don't vote for the Academy Awards. Despite shattering box-office records and dominating head-lines for months, these two films face real obstacles in the race for Hollywood's top prize. Of the many high-placed studio executives, producers, Oscar strategists, publicists and Academy members interviewed for this story, most think that "Fahrenheit's" chances depend on the results of the presidential election, and all say that a "Passion" best-picture nod is almost unthinkable. Hollywood, with its Jewish roots, did not experience "The Passion" as a transcendent religious and emotional event, as so many other viewers did. Some haven't forgiven Gibson for even making the film, let alone forgotten his father, Hutton, and his inflammatory statements about the history of the Jews. "I'll tell you why...
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