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The angelic friar at the Met.(Fra Angelico)

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| December 01, 2005 | Grassi, Marco | COPYRIGHT 2005 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In 1896, a Scottish insurance magnate named Evan MacKenzie set himself to erecting a massive "medieval" castle on a glorious site overlooking the Mediterranean, hard by the outskirts of Genoa. For this extravagant client, a gifted young Florentine architect named Gino Coppede concocted a huge turreted, crenellated, and rusticated fantasy that, to this day, remains a masterpiece of fin de siecle historicism run amok. As the final jewel in MacKenzie's baronial crown, Coppede designed a chapel and commissioned for its walls some suitably religious frescoes. Executed by the brilliant Russian copyist, and later restorer, Lockoff, these decorations paraphrase and mimic the one ...

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Source: HighBeam Research, The angelic friar at the Met.(Fra Angelico)

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