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AFTERMATHS.(Movie Review)

The New Yorker

| November 01, 2004 | Lane, Anthony | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The opening scene of Ian McEwan's "Enduring Love" has, since the novel was published, in 1998, achieved an enduring fame of its own. This may be the case, too, with the film of the book, which was adapted by Joe Penhall and directed by Roger Michell. We start with a heat-heavy English summer, and with Joe (Daniel Craig) and his girlfriend, Claire (Samantha Morton), sitting in a field; he starts to open a bottle of champagne, and only a viewer of nervous disposition would point out the slight but sickening tilt at which the meadow's greenness is filmed, as if to hint that this idyll is about to go downhill. Behind the lovers drifts a sudden, enormous sun. In fact, it is a ...

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