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A digital revolution: in a novel approach, crews create many of Vendetta's effects in DI.(Film)

Computer Graphics World

| March 01, 2006 | Robertson, Barbara | COPYRIGHT 2006 PennWell Publishing Corp. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The Wachowski brothers' film noir-styled "kung-fu meets sci-fi" movie, The Matrix, won a visual effects Oscar in 2000 for, among other effects, the stylish "bullet-time" shots in which Keanu Reeves's actions happened in extremely slow motion while the camera swung around him. Since then, so many films--from Charlie's Angels to Shrek--have imitated and parodied the bullet-time shots that the effect has become a cliche.

But, what happened behind the slo-mo action arguably had a more widespread and lasting impact on visual effects. To create digital reproductions of the locations surrounding the action, the Matrix crew used photogrammetric modeling with projected ...

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