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The title character in Mike Leigh's "Vera Drake" is a radiant middle-aged cleaning lady (Imelda Staunton) who races through her London working-class neighborhood singing to herself. The time is 1950, and the city still suffers from wartime austerities; the sun, as if refusing its warmth to the lower classes, never seems to penetrate the narrow alleys and pinched little rooms. But Vera brings the light. A short, pudding-faced woman, she clambers up stairways and drops in on her invalid mother and other elderly people, staying just long enough to pull a blanket tighter, say a few words of sympathy, and get the water boiling for tea; then she makes her way to the houses of ...