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22/4/04: Disraeli and the art of the novel.(Literature)
Quadrant
|
September 01, 2004 |
Gould, Alan |
COPYRIGHT 2004 Quadrant Magazine Company, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright
IN CONINGSBY at least, the invention Disraeli shows is very much more naturally invested in the art of oratory than the art of characterisation. He is exuberant when inventing syntactical variation, crude when delineating the character of Master C and his acquaintance. Disraeli is not anxious as to the effect of his argument, as Ruskin is anxious. Quite the reverse: D is bumptious in argument, and large parts of the novel are like a political ...
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Source: HighBeam Research, 22/4/04: Disraeli and the art of the novel.(Literature)