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Breaking barriers: EFilm enlists storage area networks and low-cost disk storage in its quest to redefine the state of the art of digital mastering.(Special section: storage in the studio)

Computer Graphics World

| September 01, 2004 | Hope, Michele | COPYRIGHT 2004 PennWell Publishing Corp. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In Hollywood, pushing the envelope beyond what's been done before can bring high praise from critics and industry peers. According to EFilm, a leading digital intermediate film company and subsidiary owned by Panavision and Deluxe Laboratories, it can also bring you almost more business than you call handle.

That's the double-edged sword of success EFilm has had to deal with since it created the first 100 percent digitally mastered feature-length film in 2001--Paramount Pictures' When We Were Soldiers, directed by Mel Gibson. The film, mastered in standard definition, or 2K-resolution format, soon brought other filmmakers to EFilm's door for the same digital ...

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