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JOURNEYS.

The New Yorker

| September 13, 2004 | Denby, David | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Vincent Gallo, a downtown New York artist active since the early eighties as a musician, photographer, painter, model, actor, and filmmaker, has a face like a rusty hatchet (needle nose, scraggly beard), damp inky hair, and an unnerving stare. In "Buffalo '66" (1998), the first feature-length movie Gallo directed, he plays a recently released con looking for a place to pee. After finding it, he picks up a willing teen-ager (Christina Ricci), but, instead of having sex with her, takes her to visit his nasty parents--a new low in the history of perversity. The movie's prickly, vagrant humor was odd and unsatisfying. "Buffalo '66" withheld much more than it communicated, ...

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