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"A ray of light: the Grail is fully radiant. A dove floats down from the dome above." These are Richard Wagner's stage directions for the maximally transcendent final moments of "Parsifal," his last opera. Christoph Schlingensief's production at the Bayreuth Festival last week gave us instead two dead rabbits, their rotting bodies intertwined, their images projected on a screen above the stage. We then saw a sped-up film of one rabbit decomposing, its body frothing as the maggots did their work. I've seen a lot of stupid, repulsive, irritating, befuddling, and boring things on opera stages over the years, but Schlingensief's dead-rabbit climax was something new: for the ...