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NANOOK AND ME.

The New Yorker

| August 09, 2004 | Menand, Louis | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Whatever you think of Michael Moore's immensely satisfying movie about the awful Bush Administration and its destructive policies--and reasonable people can disagree, of course--one thing that cannot be said about "Fahrenheit 9/11" is that it is an outlaw from the documentary tradition. "The documentary tradition" sounds like a grand phrase for a genre that includes everything from "Nanook of the North" to "Girls Gone Wild." There's no doubt that it's an eclectic form. The "Documentary" section shelves Michael Moore next to National Geographic, movies about bad Presidents next to movies about butterflies, bodybuilders, and Eskimos. These movies do have one thing in ...

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